The 20th anniversary of the Million Man March will be observed on Saturday. I was one of an estimated 3000 women who were on the National Mall in 1995.
I don't plan to get on the bus for the Justice or Else Gathering.
I've been there, done that. I got the t-shirt, the poster and the book. It's now your turn. For more information, visit www.justiceorelse.com.
Last week was D-Day for the School Reform Commission. On Feb. 18, the SRC held a public hearing at which it would decide the fate of 39 applicants for new charter schools. I arrived 45 minutes before the hearing was scheduled to begin. After a 15-minute wait in the bitter cold, I was let inside 440 N. Broad and directed to go to Room 1075, the “overflow room.”
I’m an art lover. The school district headquarters is full of art but it’s a joyless and soulless space. Room 1075 is a room with a view of the blues. So after a few minutes, I left and viewed the proceedings via livestream. I’m glad I did. Between the scheduled speakers and the unscheduled outbursts, the meeting lasted five hours.
When it was over, the SRC voted to approve five of the 39 applications. The SRC approved three-year charters (rather than the usual five-year agreement) with conditions for Independence Charter West, KIPP Dubois, Mastery Gillespie, MaST-Roosevelt and TECH Freire. The five schools represent 2,684 new charter seats. But coupled with the abrupt closure of Walter Palmer Leadership Learning Partners Charter and Wakisha Charter School, and the expected closure of underperforming schools, there’s no net gain in the number of charter seats.
Still, the SRC is catching flak from both sides. Gov. Tom Wolf said in a statement:
The Wolf Administration continues to believe that the district’s financial situation cannot responsibility handle the approval of new charter schools. Governor Wolf remains committed to restoring cuts and delivering more funding to public schools across the commonwealth to ensure our children have the resources necessary to succeed.
More funding for Philly schools may be a casualty of the SRC vote. Pennsylvania Speaker of the House Rep. Mike Turzai said he’s “disappointed” the SRC didn’t approve more applications:
If they’re not going to provide the charter schools for the parents and grandparents that want them, I think that negates the discussion [charter reimbursement budget line item].
The rejected applicants have 60 days to appeal the decision to the state Charter Appeal Board. Meanwhile, charter expansion critics are appealing to parents to stick with traditional public schools “for the greater good.” Please. What parent chooses a school based on the needs of other people’s children?
Charter critics invoke the old chestnut that if you can’t save every child, then no parent should have the option to choose their child’s school. Instead, their child must stay trapped in schools without librarians, nurses and guidance counselors.
It’s crazy to argue that parents should keep their child in a failing school because “all children” do not have options. Parents want what’s best for their child. They do not stand in loco parentis for all children. Try disciplining someone’s child and see what happens.
Let activists, teachers unions, elected officials and others fight over delivery systems. In the birthplace of our democracy, parents on charter school waiting lists want the freedom to choose the best educational option for their child.
On Monday, January 19th, the nation will celebrate Dr. Martin Luther King. In Philadelphia, a broad-based coalition will remember the drum major for justice by reclaiming his legacy and marching for justice, jobs and education.
The #ReclaimMLK coalition is moving beyond the sanitized version of Dr. King (Full Disclosure: I’m a member of the planning committee). We are taking back the King Holiday and organizing MLK D.A.R.E. (MLK Day of Action, Resistance and Empowerment). At least 10,000 demonstrators are expected to take to the streets on the day of action and agitation.
The #ReclaimMLK coalition’s demands include an end to stop-and-frisk, an independent police review board, a $15-an-hour minimum wage, a fair funding formula for public schools and a democratically-elected school board.
The planning meetings are held at the historic Mother Bethel A.M.E. Church. Mother Bethel’s Pastor Rev. Mark Tyler said:
It’s only fitting that we open our doors in light of the role of the Black Church during the Civil Rights Movement. In fact, our founder Bishop Richard Allen opened these doors in 1817 for the first large scale, national demonstration of free African Americans.
I’ve attended at least half of the conferences dating back to, well, never mind when I started going.
There’s a mash-up of workshops and braintrust meetings from the “Art of Social Entrepreneurship” to “Working Families Fight Back.” To be sure, some folks will be moaning and groaning about the lack of follow-up. It somehow escapes them that the follow-through starts with the person in the mirror.
A. Shuanise Washington, the president and CEO of the CBCF, said in a statement:
Any discussion about African-American history and culture must include African-American artists. Through the Celebration of Leadership in the Fine Arts, the CBCF and the CBC Spouses pay homage to those whose creative bodies of work convey the rich and diverse African-American experience.
About Bill Withers:
Bill Withers is a legendary singer-songwriter with a music career that spans more than four decades. Between the 1970s and 1980s, he won “Song of the Year” Grammys for “Ain’t No Sunshine,” “Just the Two of Us” and “Lean on Me.” His songs have been covered by numerous artists across various genres of music, including Michael Jackson, Barbra Streisand, Gladys Knight, Michael Bolton, John Legend and Jill Scott. In 2005, Withers was inducted into the Songwriters Hall of Fame.
I can’t pick a favorite Bill Withers’ song because there’s one for whatever mood I’m in. That said, some of my favorite lyrics are from “Moaning and Groaning”: “If she ain’t the best in the world, she’s good as the goodest one.”
I first wrote about illegal immigration in 2005. I’m passionate about a lot of issues but nothing makes my blood boil more than calls for amnesty for the millions of illegal immigrants who either sneaked across the border or overstayed their visa.
I’m a policy wonk so I can cite report after report about the high cost of illegal immigration. But I don’t have to go there. For me, it’s real simple: What part of illegal don’t you understand?
Like a lot of Americans, I’m paying a lot of attention to the mess in Texas. If President Obama had listened, he would have known that Americans want to send the so-called “border children” back to Central America. They’re still here so now Obama is paying a high cost.
The Washington Post reports “immigration is now Obama’s worst issue”:
Immigration has emerged as perhaps President Obama’s worst issue -- definitely for today, and maybe of his entire presidency -- when it comes to public perception.
A new poll from AP-GfK shows more than two-thirds of Americans (68 percent) disapprove of Obama’s handling of the immigration issue in general. Just 31 percent approve -- down from 38 percent two months ago.
Count me among those Americans who want to #SendThemBack. It may sound “mean-spirited” but my give a damn gave out 11 million illegal immigrants ago.
Jazz Appreciation Month is in full swing. On Saturday, the joints were jumping in Center City Philadelphia.
While I love jazz, I live for the blues. I don’t remember a time in my life when the blues didn’t touch me to my core.
Growing up in Brooklyn, Jimmy McGriff’s Hammond B-3 organ fueled my imagination. So it was awesome to discover McGriff perfected his craft in organ joints in West Philly.
The blues is the prism through which I view the world. The musical genre shaped my self-image and my expectations about male-female relationships. It captured my joy. When that joy turned to pain, “I cried like a baby.” But guess what? “Everything is really all right.”
The blues is more than a feeling. It’s a state of mind. Since we were “brought over on a ship,” blues has been our sanctuary.
For me, it’s about more than 12-bar blues. Instead, it’s about raising the bar and empowering ordinary people to make a difference. Indeed, the blues has powered my lifelong activism.
This is music with humble beginnings, roots in slavery and segregation, a society that rarely treated black Americans with the dignity and respect that they deserved. The blues bore witness to these hard times. And like so many of the men and women who sang them, the blues refused to be limited by the circumstances of their birth.
The music migrated north—from Mississippi Delta to Memphis to my hometown in Chicago. It helped lay the foundation for rock and roll and R&B and hip-hop. It inspired artists and audiences around the world. And as tonight’s performers will demonstrate, the blues continue to draw a crowd. Because this music speaks to something universal. No one goes through life without both joy and pain, triumph and sorrow. The blues gets all of that, sometimes with just one lyric or one note.
In an interview with Bill Moyers, Rev. Jeremiah Wright, Obama’s former pastor, similarly observed:
Blacks learned how to sing the blues rather than just giving up on life. A guy’s wife walks out on him with his best friend. And he’s crushed. So what does he say? Instead of going out and taking a gun and killing he sings a song “I’m going down to the railroad to lay my poor head on the track. I’m going down to the railroad to lay my poor head on the track. And when the locomotive comes I’m gonna pull my fool head back.
I’m not giving up life over this. That life goes on beyond this. Pain is just for a moment. This whole notion about what we’re going through is only a season. And this came to pass, didn’t come to stay. That’s what the blues do. And that’s what the music tradition does.
When black folks were connected to the blues, we had a plan and we worked that plan. The plan took us from the slave master’s house to claiming victory at the White House, where President Lyndon Johnson signed the Civil Rights Act of 1964.
The blues is how we got over. This is turn begs the question: What’s not to love?