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Philadelphia Fund for Black Sacred Places

Black sacred places matter. From Bishop Richard Allen preaching at Mother Bethel, Denmark Vesey planning a slave rebellion at Mother Emanuel, and Minister Malcolm X teaching at Muhammad’s Temple of Islam No. 12, Black sacred places have been the heart and soul of the African American community.

Dr. Henry Louis Gates Jr., an advisor to the African American Cultural Heritage Action Fund, observed: “No pillar of the African American community has been more central to its history, identity, and social justice vision than the ‘Black Church.’”

Preserving Black Churches is a project of the African American Cultural Heritage Action Fund which is led by National Trust for Historic Preservation Senior Vice President Brent Leggs. In an interview with Robin Givhan of the Washington Post, Leggs said:

It’s critically important that we preserve the physical evidence of our past, that we preserve the historic buildings that are imbued with legacy and memory, that we preserve the profound stories that are embodied in the walls, landscapes, and cemeteries stewarded by African American churches.

Rooted in the Black experience, jazz both has been a sanctuary and found sanctuary in the church. Now a jazz standard, Duke Ellington’s “Come Sunday” is a celebration of the African American religious tradition.

The Ku Klux Klan’s bombing of Birmingham’s 16th Street Baptist Church which killed four Black children moved John Coltrane, the grandson of a prominent African Methodist Episcopal minister, to compose “Alabama.”

Partners for Sacred Places and the Preservation Alliance for Greater Philadelphia recently launched the Philadelphia Fund for Black Sacred Places (PFBSP). The three-year project will expand public access to purpose-built religious properties of architectural, historical or cultural significance, regardless of denomination, that are operated and owned by an active community of faith. PFBSP will provide planning and programming grants, as well as capital grants to support Black congregations’ efforts to maintain their properties.

Rev. Betsy Ivey, director of PFBSP, said:

The public’s response to the murder of George Floyd in June 2020 gave focus to the unanswered needs of our city’s Black communities. Religious properties have space that can be developed to respond to these needs in creative and innovative ways after worship. The houses of worship that are selected to participate in this grant program will provide welcoming and affirming space to the public that will benefit all of our communities.

PFBSP will provide up to $10,000 in planning grants and up to $250,000 in 1:2 matching grants ($2 granted for each $1 raised) for the planning and execution of projects that expand equitable access to Black-led historic sacred places. Eligibility guidelines are available here. The application deadline is January 31, 2024.

Register here for the November 17 info session on completing the application. If you have any questions, contact PFBSP Director Betsy Ivey by email or by phone at (215) 567-3234 x29.

And the winner is…

In March 2022, Philadelphia Mayor Jim Kenney announced plans to give Wesley Wofford, a white artist who has never won a public commission for a Harriet Tubman statue, a $500,000 “direct commission”; in other words, a no-bid commission. In a city that is 40 percent African American, Black artists were not given an opportunity to compete for a public commission for the Black icon.

Black women did what we do and made some noise. In August 2022, the Office of Arts, Culture and the Creative Economy (OACCE) announced the City was taking a “new direction” and issued an open Call for Artists. Fifty artists, including Wofford, responded to the call. Wofford didn’t make the cut. The five semifinalists, all of whom are Black, were announced in March 2023.

Mayor Kenney and OACCE will announce the winning artist on October 30, 2023.

Great God Almighty, it’s been a long time coming.

International Underground Railroad Month 2023

September is International Underground Railroad Month. September was chosen because it was the month that Frederick Douglass (September 3, 1838) and Harriet Tubman (September 17, 1849) made their escape from bondage.

On September 17, 2023, the Navy announced it will name the ninth John Lewis-class oiler after Harriet Tubman. Secretary of the Navy Carlos Del Toro said:

It’s an honor to maintain the naming tradition for our John Lewis-class oilers and Harriet Tubman is more than deserving of this recognition. She was born into unimaginable circumstances, but she dedicated her life to facing great danger and adversity, becoming a “conductor of freedom,” helping others escape slavery. In addition, during the Civil War, Tubman was the first African American woman to serve formally in the military. Her legacy deserves our nation’s continued recognition, and our fleet benefits from having her name emblazoned on the hull of one of our great ships.

The USNS Harriet Tubman is the ninth ship of this class of oilers. The class and lead ship is named in honor of civil rights icon John Lewis. This will be the second vessel named after Tubman. The first was a Liberty Ship, SS Harriet Tubman, built during World War II.

The USNS Harriet Tubman will give new meaning to “wade in the water.”

Slavery Did Not Benefit Black People

The arrival of the “White Lion” at Point Comfort (Hampton), Virginia on August 20, 1619 marks the beginning of 250 years of chattel slavery in America. The slave ship carried “20 and odd” Africans who were traded to the English colonists for food.

Hungry for attention, Florida Gov. Ron DeSantis pushed through new Black history standards that instruct students that enslaved Africans developed skills that, “in some instances, could be applied for their personal benefit.” DeSantis offered to debate Vice President Kamala Harris on whether slavery benefited Black people. Harris told DeSantis to take a seat.

The erasure of Black history is American history. The Metropolitan Museum of Art recently acquired a 19th century portrait from which an enslaved child had been erased. The New York Times reports:

For many years, a 19th century painting of three white children in a Louisiana landscape held a secret. Beneath a layer of overpaint meant to look like the sky: the figure of an enslaved youth. Covered up for reasons that remain unspecified, the image of the young man of African descent was erased from the work around the turn of the last century, and languished for decades in attics and a museum basement.

Through conservation and historical research, the children and their enslaved caretaker have been identified.

“Bélizaire and the Frey Children” will be on view at The Met in the fall.

Vote for Harriet Tubman Statue Design

The Office of Arts, Culture and the Creative Economy (OACCE) has unveiled the proposed designs for the statue honoring Harriet Tubman. As I told the Philadelphia Inquirer, it was a needlessly bumpy process to get to this point, but I think Philadelphia can be proud of the visions presented by the five semi-finalists, Vinnie Bagwell, Richard Blake, Tanda Francis, Alvin Pettit and Basil Watson. Their designs reflect the lived experience of being Black in America and the continuing struggle for racial justice.

More than 100 people attended the virtual public design presentation but it’s not too late to have your voice heard. The public is invited to view, rank and comment on the proposed designs. OACCE will share the comments and rankings with the artists who will have an opportunity to revise their design prior to final review by the Advisory Committee.

I won’t rank the designs but I want to comment on the design that captured my imagination, Tanda Francis’ “Together in Freedom.” I was struck by the monumental scale of Harriet Tubman’s face and the potential of the polished panels.

Harriet did not arrive in Philadelphia fully formed. The panels of “Together in Freedom” could breathe life into the places and people who together helped transform Harriet from a thankful self-emancipated woman to the “Moses of Her People.”

Harriet’s Philadelphia story could be told by incorporating historic documents such as William Still’s journal which includes an entry about Harriet’s family, showing places where she lived and worked, and highlighting financiers and agents of the Underground Railroad, including Robert Purvis, Sarah Buchanan and Henrietta Duterte.

The Public Input Survey is open until September 1, 2023 at 11:59pm EST. Click here to view the designs and take the survey.

Harriet Tubman in Public Memory

In 2022, Congress passed the ‘‘Harriet Tubman Bicentennial Commemorative Coin Act’’ which required the Secretary of the Treasury to mint and issue commemorative coins in recognition of the 200th anniversary of Harriet Tubman’s birth. Earlier this month, the United States Mint joined representatives from the Harriet Tubman Home and the National Underground Railroad Freedom Center to unveil the designs for the 2024 Harriet Tubman Bicentennial Commemorative Coins.

The designs will be featured on a $5 gold coin, a $1 silver coin and a half-dollar coin. All sales will include a surcharge of $35, $10 and $5, respectively. The surcharges will be paid equally to the National Underground Railroad Freedom Center and the Harriet Tubman Home “for the purpose of accomplishing and advancing their missions.”

Woodrow Keown Jr., president & COO of the National Underground Railroad Freedom Center, said:

Harriet Tubman is one of the most revered figures in American history and now she is being rightly enshrined among our nation’s pantheon of heroes. She will soon be indelibly etched into our collective heritage as a triumphant, resilient champion of freedom that reflects the true diversity of those who have contributed so significantly to our nation’s democracy.

In the birthplace of our nation’s democracy, the Office of Arts, Culture and the Creative Economy will hold a Public Design Presentation Meeting for Philadelphia’s permanent Harriet Tubman statue. The public is invited to join the virtual meeting during which the five semi-finalist artists will “present their design images, renderings, and/or models and hear them describe their vision for the Harriet Tubman statue.”

Harriet Tubman will be the first statue of a Black female historical figure in the City’s vast public art collection. RSVP here for the Zoom meeting on Thursday, August 3 from 5:30pm to 7:30pm.

Happy 5th of July

“What to the slave is the Fourth of July,” asked Frederick Douglass in a speech at an Independence Day celebration in Rochester, New York on July 5, 1852.

In a 6-to-3 vote, the Supreme Court ended affirmative action. In her dissenting opinion, Associate Justice Ketanji Brown Jackson wrote:

Given the lengthy history of state-sponsored race-based preferences in America, to say that anyone is now victimized if a college considers whether that legacy of discrimination has unequally advantaged its applicants fails to acknowledge the well-documented “intergenerational transmission of inequality” that still plagues our citizenry.

What to the descendants of the enslaved is Independence Day? “This Fourth of July is yours, not mine.”