Posted at 09:48 AM in All That Philly Jazz, Cultural Heritage Preservation, Music, Race | Permalink
President Jimmy Carter designated June as Black Music Appreciation Month in 1979.
In a proclamation, President Joe Biden said:
For generations, Black music has conveyed the hopes and struggles of a resilient people — spirituals mourning the original sin of slavery and later heralding freedom from bondage, hard truths told through jazz and the sounds of Motown during the Civil Rights movement, and hip-hop and rhythm and blues that remind us of the work that still lies ahead. The music created by Black artists continues to influence musicians of all persuasions, entertain people of all backgrounds, and shape the story of our Nation.
As noted in the 1971 documentary “Black Music in America: From Then Till Now,” Black music is “one of the great artistic contributions to American culture. Black music in America began as the African drum beat and plantation song ignored and then suppressed by white culture.”
To explore the history of Black American music, check out the Black Music Project.
Posted at 07:47 AM in 400 Years of African American History, All That Philly Jazz, Blues, Civil Rights, Cultural Heritage Preservation, Jazz, Music, Race, Slavery | Permalink
April is Jazz Appreciation Month. America’s classical music is appreciated around the world but in New Orleans, the city where jazz was born, there was a 100-year-old ban on jazz in the public schools. While the ban was honored in the breach, it was only officially lifted last month. The prohibition was white supremacists’ tacit acknowledgement that jazz is Black music.
In an interview with the Associated Press, four-time Grammy winner Robert Glasper said that African Americans are reclaiming jazz:
Absolutely, because it’s African-American music... our ancestors are the ones who birthed this music. Blood, sweat and tears. And we, as a people, have gotten away from it and other people have taken it and been able to capitalize off of it [emphasis added].
We’re just living our truth, and that’s what it is. And we are jazz (musicians) — because some people say, “What they’re doing is not jazz.” Yes, it is — it literally is. It’s just jazz with a heartbeat. It’s still alive. What you like is dead. What we’re doing is alive. And that’s the difference.
To borrow a phrase from Grammy-winning producer Swizz Beatz: Long live jazz!
Posted at 09:11 AM in 400 Years of African American History, All That Philly Jazz, Cultural Heritage Preservation, Jazz, Music, Race, Slavery | Permalink
A stretch of Broad Street in Philadelphia was renamed Patti LaBelle Way in 2019.
I cannot think of a better way to close out Black History Month 2022 than with Ms. Patti’s Tiny Desk (Home) Concert from NPR Music.
Posted at 09:07 AM in All That Philly Jazz, Cultural Heritage Preservation, Music, Public Art, Public Memory | Permalink
Posted at 08:51 AM in All That Philly Jazz, Cultural Heritage Preservation, Jazz, Music | Permalink
For more than 400 years, music has powered African American resilience, resistance and joy. From the rhythmic beat of the African drum that was banned by enslavers to “Rhythm Nation," music is how we got over.
To kick off Black History Month, the National Museum of African American Music presents Rivers of Rhythm. Made possible by Renasant Bank, the six-part docuseries traces the history of African American music from its roots in Africa to The Roots and hip-hop.
Rivers of Rhythm premiered on February 1.
New episodes will be released weekly on Tuesday on American Songwriter’s YouTube channel.
Posted at 09:07 AM in 400 Years of African American History, Music, Race | Permalink
Muddy Waters famously said, “The blues had a baby and they named the baby rock and roll.”
The architect of rock and roll, Little Richard, credits gospel legend Marion Williams for making him a star. During the 1993 Kennedy Center Honors, he said, “If it weren’t for you, I never would have been a star. I got that whoop from you.”
A new documentary traces the gospel roots of rock and roll.
“How They Got Over” is now playing in theaters and virtual cinemas. For ticket info, go here.
Posted at 09:56 AM in 400 Years of African American History, Blues, Music, Race | Permalink