Anderson@Large

Must-See TV: ‘The Sit-In’

For one week in February 1968, Harry Belafonte hosted “The Tonight Show,” then the highest-rated late night television show. Belafonte’s guests included Robert F. Kennedy, Bill Cosby, Lena Horne, Nipsey Russell, Paul Newman, Wilt Chamberlain, Buffy Sainte-Marie, Dionne Warwick, Aretha Franklin, Sidney Poitier and Dr. Martin Luther King Jr.

A documentary about that magical week of interviews and performances, “The Sit-In: Harry Belafonte Hosts the Tonight Show,” was scheduled to be screened at the 2020 Tribeca Film Festival. But along came the coronavirus. Variety reports:

It was 1968, war was raging and racial tensions in America were at a boiling point, dividing the nation. In February, Harry Belafonte stepped in for Johnny Carson to host “The Tonight Show.” It was a monumental moment in which an African American would be the frontman of the most dominant program in late night — and perhaps all of TV — for an entire week. Guests included Lena Horne, Paul Newman, Aretha Franklin, Martin Luther King Jr. and Robert F. Kennedy.

The doc was scheduled to screen in April at the Tribeca Film Festival, not far from where “The Tonight Show” was filmed in the ’60s, with an after-film discussion that was to have included Belafonte’s daughter, Gina. “We were so excited,” says Richen. “It’s a New York story, and I’m a New Yorker.”

But as with many eagerly anticipated independent films this year, the movie’s launchpad disappeared when the festival was canceled due to the coronavirus, making it a work about the events of yesterday informing today — trumped by the health crisis of the moment.

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Freedom Songs: Soul of the Civil Rights Movement

I love music, any kind of music.

Music sustained the ancestors and was the soul of the Civil Rights Movement. Dr. Martin Luther King Jr. said:

In a sense the freedom songs are the soul of the movement. They are more than just incantations of clever phrases designed to invigorate a campaign; they are as old as the history of the Negro in America. They are adaptations of the songs the slaves sang — the sorrow songs, the shouts for joy, the battle hymns and the anthems of our movement. I have heard people talk of their beat and rhythm, but we in the movement are as inspired by their words. ‘Woke up This Morning with My Mind Stayed on Freedom’ is a sentence that needs no music to make its point. We sing the freedom songs today for the same reason the slaves sang them, because we too are in bondage and the songs add hope to our determination that ‘We shall overcome, black and white together, we shall overcome someday.’

To celebrate the 25th anniversary of Martin Luther King Jr. Day, the National Museum of African American Music curated a playlist of songs that ignited social change.

The songs include Sam Cooke’s “A Change is Gonna Come,” Marvin Gaye’s “Inner City Blues (Make Me Wanna Holler),” John Coltrane’s “Alabama” and Billie Holiday’s “Strange Fruit.” You can listen to “Sounds of Social Justice: MLK 2020” here.

Martin Luther King Jr. Day 2020

 

Martin Luther King Jr. (1929-1968)

 

Remembering Marian Anderson

Given the givens, some folks have called for a “do-over” of Black History Month 2019. I want to close out February on a high note by remembering Marian Anderson.

The name Marian Anderson has been part of my life from Day One. An older-now-deceased sister was named Marian. As a schoolgirl, I was puzzled when I would hear my teachers say her name. Of course I would later learn they were referring to the world-renowned contralto who inspired a generation of civil rights activists, including Dr. Martin Luther King Jr.

In a high school essay, 15-year-old Martin wrote:

Black America still wears chains. The finest Negro is at the mercy of the meanest white man. Even winners of our highest honors face the class color bar. Look at a few of the paradoxes that mark daily life in America. Marian Anderson was barred from singing in the Constitution Hall, ironically enough, by the professional daughters of the very men who founded this nation for liberty and equality. But this tale had a different ending. The nation rose in protest, and gave a stunning rebuke to the Daughters of the American Revolution and a tremendous ovation to the artist, Marian Anderson, who sang in Washington on Easter Sunday and fittingly, before the Lincoln Memorial. Ranking cabinet members and a justice of the Supreme Court were seated about her. Seventy-five thousand people stood patiently for hours to hear a great artist at a historic moment. She sang as never before with tears in her eyes. When the words of “America” and “Nobody Knows De Trouble I Seen” rang out over that great gathering, there was a hush on the sea of uplifted faces, black and white, and a new baptism of liberty, equality and fraternity. That was a touching tribute, but Miss Anderson may not as yet spend the night in any good hotel in America. Recently she was again signally honored by being given the Bok reward as the most distinguished resident of Philadelphia. Yet she cannot be served in many of the public restaurants of her home city, even after it has declared her to be its best citizen.

That was then. Ms. Anderson is now an American icon who will be celebrated in her home city with a new exhibition, “Marian: A Soul In Song,” presented by the National Marian Anderson Historical Society.

The exhibition features a collection of the opera singer’s performance gowns, costumes and accessories, photographs, video and recordings. The exhibition runs from February 27, 2019 to January 1, 2020. For more information and tickets, visit the Marian Anderson Museum & Historical Society.

Remembering Dr. Martin Luther King Jr.

Martin Luther King Jr. was born on January 15, 1929 in Atlanta. An HBO documentary includes scenes from his last birthday celebration in 1968.

Xernona Clayton said she organized the office party to “cheer up” the civil rights leader. For information about King in the Wilderness, go here.

Happy birthday, Dr. King. We miss you but your legacy lives on in our determination to "keep moving."

Blue Note Salon

On December 8, 1956, the Miles Davis Quintet, featuring Miles Davis (trumpet), John Coltrane (tenor saxophone), Red Garland (piano), Paul Chambers (bass) and Philly Joe Jones (drums) performed at the Blue Note. The set was featured on the Mutual Network radio broadcast, Bandstand, U.S.A.

That same night, the police raided “the town’s swankiest jazz emporium.” The Blue Note was a “black and tan” club, an integrated nightspot where blacks and whites socialized on an equal basis. As such, it was the target of police harassment.

From the beginning, jazz was a tool for social change. Jazz musicians’ unbowed comportment created a cultural identity that was a steppingstone to the Civil Rights Movement. In remarks to the 1964 Berlin Jazz Festival, Dr. Martin Luther King Jr. said jazz is “triumphant music”:

Jazz speaks for life. The Blues tell the story of life’s difficulties, and if you think for a moment, you will realize that they take the hardest realities of life and put them into music, only to come out with some new hope or sense of triumph.

This is triumphant music.

Modern jazz has continued in this tradition, singing the songs of a more complicated urban existence. When life itself offers no order and meaning, the musician creates an order and meaning from the sounds of the earth which flow through his instrument.

It is no wonder that so much of the search for identity among American Negroes was championed by Jazz musicians. Long before the modern essayists and scholars wrote of racial identity as a problem for a multiracial world, musicians were returning to their roots to affirm that which was stirring within their souls.

Much of the power of our Freedom Movement in the United States has come from this music. It has strengthened us with its sweet rhythms when courage began to fail. It has calmed us with its rich harmonies when spirits were down.

On April 21, 2018, All That Philly Jazz and Black Quantum Futurism will present the “Blue Note Salon” which pays homage to jazz musicians’ legacy of resistance. The community discussion will feature creative change makers who work on social justice issues. Their work is at the intersection of art, community engagement and social change.

The event is free and open to the public. To RSVP, go here.