Anderson@Large

Remembering Marian Anderson

Given the givens, some folks have called for a “do-over” of Black History Month 2019. I want to close out February on a high note by remembering Marian Anderson.

The name Marian Anderson has been part of my life from Day One. An older-now-deceased sister was named Marian. As a schoolgirl, I was puzzled when I would hear my teachers say her name. Of course I would later learn they were referring to the world-renowned contralto who inspired a generation of civil rights activists, including Dr. Martin Luther King Jr.

In a high school essay, 15-year-old Martin wrote:

Black America still wears chains. The finest Negro is at the mercy of the meanest white man. Even winners of our highest honors face the class color bar. Look at a few of the paradoxes that mark daily life in America. Marian Anderson was barred from singing in the Constitution Hall, ironically enough, by the professional daughters of the very men who founded this nation for liberty and equality. But this tale had a different ending. The nation rose in protest, and gave a stunning rebuke to the Daughters of the American Revolution and a tremendous ovation to the artist, Marian Anderson, who sang in Washington on Easter Sunday and fittingly, before the Lincoln Memorial. Ranking cabinet members and a justice of the Supreme Court were seated about her. Seventy-five thousand people stood patiently for hours to hear a great artist at a historic moment. She sang as never before with tears in her eyes. When the words of “America” and “Nobody Knows De Trouble I Seen” rang out over that great gathering, there was a hush on the sea of uplifted faces, black and white, and a new baptism of liberty, equality and fraternity. That was a touching tribute, but Miss Anderson may not as yet spend the night in any good hotel in America. Recently she was again signally honored by being given the Bok reward as the most distinguished resident of Philadelphia. Yet she cannot be served in many of the public restaurants of her home city, even after it has declared her to be its best citizen.

That was then. Ms. Anderson is now an American icon who will be celebrated in her home city with a new exhibition, “Marian: A Soul In Song,” presented by the National Marian Anderson Historical Society.

The exhibition features a collection of the opera singer’s performance gowns, costumes and accessories, photographs, video and recordings. The exhibition runs from February 27, 2019 to January 1, 2020. For more information and tickets, visit the Marian Anderson Museum & Historical Society.

Remembering Dr. Martin Luther King Jr.

Martin Luther King Jr. was born on January 15, 1929 in Atlanta. An HBO documentary includes scenes from his last birthday celebration in 1968.

Xernona Clayton said she organized the office party to “cheer up” the civil rights leader. For information about King in the Wilderness, go here.

Happy birthday, Dr. King. We miss you but your legacy lives on in our determination to "keep moving."

Blue Note Salon

On December 8, 1956, the Miles Davis Quintet, featuring Miles Davis (trumpet), John Coltrane (tenor saxophone), Red Garland (piano), Paul Chambers (bass) and Philly Joe Jones (drums) performed at the Blue Note. The set was featured on the Mutual Network radio broadcast, Bandstand, U.S.A.

That same night, the police raided “the town’s swankiest jazz emporium.” The Blue Note was a “black and tan” club, an integrated nightspot where blacks and whites socialized on an equal basis. As such, it was the target of police harassment.

From the beginning, jazz was a tool for social change. Jazz musicians’ unbowed comportment created a cultural identity that was a steppingstone to the Civil Rights Movement. In remarks to the 1964 Berlin Jazz Festival, Dr. Martin Luther King Jr. said jazz is “triumphant music”:

Jazz speaks for life. The Blues tell the story of life’s difficulties, and if you think for a moment, you will realize that they take the hardest realities of life and put them into music, only to come out with some new hope or sense of triumph.

This is triumphant music.

Modern jazz has continued in this tradition, singing the songs of a more complicated urban existence. When life itself offers no order and meaning, the musician creates an order and meaning from the sounds of the earth which flow through his instrument.

It is no wonder that so much of the search for identity among American Negroes was championed by Jazz musicians. Long before the modern essayists and scholars wrote of racial identity as a problem for a multiracial world, musicians were returning to their roots to affirm that which was stirring within their souls.

Much of the power of our Freedom Movement in the United States has come from this music. It has strengthened us with its sweet rhythms when courage began to fail. It has calmed us with its rich harmonies when spirits were down.

On April 21, 2018, All That Philly Jazz and Black Quantum Futurism will present the “Blue Note Salon” which pays homage to jazz musicians’ legacy of resistance. The community discussion will feature creative change makers who work on social justice issues. Their work is at the intersection of art, community engagement and social change.

The event is free and open to the public. To RSVP, go here.

Dr. Martin Luther King Jr. (1929-1968)

 

 

Lena Horne Forever

On Tuesday, the U.S. Postal Service will issue the Lena Horne Forever stamp.

The 41st issuance in the Black Heritage series honors the legacy of Lena Horne:

Horne began her career as a dancer at Harlem’s Cotton Club and later became a featured vocalist with touring orchestras. The rampant racial discrimination she encountered from audiences, hotel and venue managers and others was so disconcerting that she stopped touring, and in 1941, she made her move to Hollywood. A year later, she signed a contract with MGM — one of the first long-term contracts with a major Hollywood studio — with the stipulation that she would never be asked to take stereotypical roles then available to black actors. Her most famous movie roles were in “Cabin in the Sky” and “Stormy Weather,” both released in 1943.

During World War II, Horne entertained at camps for black servicemen, and after the war worked on behalf of Japanese Americans who were facing discriminatory housing policies. She worked with Eleanor Roosevelt in pressing for anti-lynching legislation. In the 1960s, Horne continued her high-profile work for civil rights, performing at rallies in the South, supporting the work of the National Council for Negro Women, and participating in the 1963 March on Washington.

On Horne’s passing in 2010, President Barack Obama said:

Over the years, she warmed the hearts of countless Americans with her beautiful voice and dramatic performances on screen. From the time her grandmother signed her up for an NAACP membership as a child, she worked tirelessly to further the cause of justice and equality. In 1940, she became the first African American performer to tour with an all white band. And while entertaining soldiers during World War II, she refused to perform for segregated audiences – a principled struggle she continued well after the troops returned home.

From sultry Selina Rogers in “Stormy Weather” …

… to sweet Georgia Brown in “Cabin in the Sky” …

… and Glinda, the Good Witch in “The Wiz,” the legendary performer entertained millions.

Horne’s activism and willingness to speak truth to power inspired millions, including the writer.

The trailblazer and civil rights activist will be in the public’s memory forever.

The First Day of Issue Stamp Dedication Ceremony will be was held at Symphony Space in New York City. The Lena Horne Forever stamp is on sale nationwide at post offices and online at The Postal Store.

Happy Birthday, Dr. King

It’s your birthday. It’s your birthday, Dr. Martin Luther King Jr. As a lifelong activist, I celebrate you every day.

Still, I look forward to the annual smorgasbord of events. This year, I got the party started at the Riverside Church New York City where on April 4, 1967, Dr. King delivered his anti-war speech “Beyond Vietnam: A Time to Break Silence.”

The tribute honoring Dr. King featured songs and readings from his writings and speeches.

One of the most moving moments was listening to an excerpt from Dr. King’s last speech, “I’ve Been to the Mountaintop.” While I’ve heard the speech numerous times, the sound system gave the words an immediacy and newness. Indeed, at times I was nodding my head and saying “Amen” as if I were in Mason Temple with Dr. King. An archived webcast of the program is available here.

I later checked out the Arthur Mitchell exhibition at Columbia University’s Miriam and Ira D. Wallach Art Gallery.

The assassination of Dr. King inspired the legendary ballet dancer to co-found the Dance Theater of Harlem. In a recent interview with the New York Times, Mitchell shared his greatest accomplishment:

That I actually bucked society, and an art form that was three, four hundred years old and brought black people into it.

Harlem’s ballet trailblazer was a great dancer who also served the community. The free exhibit runs through March 11. For more information, visit the Wallach Art Gallery.

Public Art Matters in Stone Mountain

I lived in Atlanta-DeKalb County for three years. Although Stone Mountain is in DeKalb County, I never went there. For most of the 20th century Stone Mountain was effectively a “sundown town” which African Americans entered at their own risk.

Stone Mountain, the birthplace of the modern Ku Klux Klan, was called out by Dr. Martin Luther King Jr. in his “I Have A Dream” speech. The city is home to the country’s largest Confederate monument.

In the wake of the white nationalist rally in Charlottesville, cities across the country have removed Confederate monuments. However, Stone Mountain, which is now overwhelmingly black, can’t touch the symbol of hate and white supremacy. The reason: In 2001, the Republican-controlled legislature passed Ga. Code § 50-30-1.

The United Daughters of the Confederacy used public art to propagate the “Lost Cause” mythology and romanticize the Confederate generals who tried to destroy the Union. The false narrative is believed by alleged child molester and sore loser Roy Moore who longs for the good old days when his ancestors could buy my ancestors:

I think it was great at the time when families were united — even though we had slavery — they cared for one another…. Our families were strong, our country had a direction.

This short documentary by Field of Vision shows how fake news was embedded in white Southerners' psyche.