Anderson@Large

International Jazz Day 2019

All good things must come to an end, including Jazz Appreciation Month. But the celebration of America’s gift to the world will end on a high note at the International Jazz Day Global Concert in Melbourne, Australia.

In November 2011, the United Nations Educational, Scientific and Cultural Organization (UNESCO) designated April 30 as International Jazz Day “in order to highlight jazz and its diplomatic role of uniting people in all corners of the globe”:

International Jazz Day brings together communities, schools, artists, historians, academics and jazz enthusiasts all over the world to celebrate and learn about jazz and its roots, future and impact; raise awareness of the need for intercultural dialogue and mutual understanding; and reinforce international cooperation and communication. Every year on April 30, this international art form is recognized for fostering gender equality and for promoting individual expression, peace, dialogue among cultures, diversity, respect for human dignity, and the eradication of discrimination.

Jazz pianist Herbie Hancock (USA) and trumpeter James Morrison (Australia) are artistic co-directors of the All-Star Global Concert; John Beasley (USA) is the musical director. Confirmed artists include: Confirmed artists include: Cieavash Arian (Iran), William Barton (Australia), Brian Blade (USA), Dee Dee Bridgewater (USA), A Bu (China), Igor Butman (Russian Federation), Joey DeFrancesco (USA), Eli Degibri (Israel), Kurt Elling (USA), James Genus (USA), Paul Grabowsky (Australia), Antonio Hart (USA), Matthew Jodrell (Australia), Aditya Kalyanpur (India), Ledisi (USA), James Muller (Australia), Eijiro Nakagawa (Japan), Mark Nightingale (United Kingdom), Chico Pinheiro (Brazil), Tineke Postma (Netherlands), Eric Reed (USA), Antonio Sánchez (Mexico), Somi (USA), Ben Williams (USA), Lizz Wright (USA) and Tarek Yamani (Lebanon).

Feeling down because you can’t make it Down Under? No problem. The concert will be webcast on YouTube.

Happy Thanksgiving

 

 

 

27th Philadelphia Film Festival

The 27th annual Philadelphia Film Festival kicks off this week with the screening of Ben is Back starring Julia Roberts and Lucas Hedges as mother and son who are grappling with a history of addiction.

The story is ripped from the headlines as Philadelphia struggles to deal with the opioid drama unfolding on the streets of Kensington.

Executive Director J. Andrew Greenblatt said in a statement:

From our powerful, socially relevant and incredibly timely Opening Night screening of Ben is Back to the definitive look at Philadelphia music legend Teddy Pendergrass for our Closing Night selection, and the incredibly diverse line-up in-between, the films premiering in this year’s Festival will be discussed and remembered for a long time to come.

Artistic Director Michael Lerman added:

Andrew and I have been doing this together for ten years and I love that we continue to find fresh, unique films that delight and challenge audiences. I'm so proud of the program the team has put together and I can't wait to share the adventure we have in store for you.

What’s in store is a lineup of more than 100 films over 11 days. As a curator of art, technology and social change content, my must-see films include:

• Studio 54
• If Beale Street Could Talk
• The Price of Everything
• Bodied
• General Magic
• Empathy, Inc.
• Green Book

The film is based on a true friendship. Art also imitates life. Before passage of the Civil Rights Act of 1964, African American motorists used the “Green Book” travel guide to vacation without humiliation.

The Closing Night film, Teddy Pendergrass: If You Don’t Know Me, tells the untold story of Philadelphia’s legendary R&B singer whose “For Women Only” concerts were the stuff of, well, legends.

To view the full schedule and purchase tickets, go here.

Women in Jazz Month 2018

March is Women in Jazz Month, a time to celebrate the contributions of women to jazz. Few – male or female – have contributed more to the jazz canon than Billie Holiday. In the decades since her death, Lady Day has been celebrated in film, song, books, fashion and art.

ClickitTicket, a resale marketplace, has created a timeline of Billie Holiday’s life, beginning with her birth in Philadelphia in 1915 and ending with her death in a New York City hospital in 1959.

An excerpt:

Billie Holiday’s voice was a little thin and somewhat limited. She had no technical training; she couldn’t even read sheet music.

Yet, Holiday is one of the greatest vocalists of all-time.

What she lacked in power and tone, she made up for it with the ability to tell a story and emote. Every song she sang she made her own.

Holiday was a true artist who had a profound impact on both jazz and pop music.

She made a huge impact on countless artists including Frank Sinatra.

“Lady Day is unquestionably the most important influence on American popular singing in the last twenty years,” explained Ol’ Blue Eyes to Ebony magazine in 1958.

Despite personal demons, abusive romantic relationships, and the specter of racism, Holiday achieved commercial and artistic success during her lifetime.

Since her death in the late 1950s, generations of musicians have turned to her recordings for inspiration and enlightenment.

READ MORE

Lena Horne Forever

On Tuesday, the U.S. Postal Service will issue the Lena Horne Forever stamp.

The 41st issuance in the Black Heritage series honors the legacy of Lena Horne:

Horne began her career as a dancer at Harlem’s Cotton Club and later became a featured vocalist with touring orchestras. The rampant racial discrimination she encountered from audiences, hotel and venue managers and others was so disconcerting that she stopped touring, and in 1941, she made her move to Hollywood. A year later, she signed a contract with MGM — one of the first long-term contracts with a major Hollywood studio — with the stipulation that she would never be asked to take stereotypical roles then available to black actors. Her most famous movie roles were in “Cabin in the Sky” and “Stormy Weather,” both released in 1943.

During World War II, Horne entertained at camps for black servicemen, and after the war worked on behalf of Japanese Americans who were facing discriminatory housing policies. She worked with Eleanor Roosevelt in pressing for anti-lynching legislation. In the 1960s, Horne continued her high-profile work for civil rights, performing at rallies in the South, supporting the work of the National Council for Negro Women, and participating in the 1963 March on Washington.

On Horne’s passing in 2010, President Barack Obama said:

Over the years, she warmed the hearts of countless Americans with her beautiful voice and dramatic performances on screen. From the time her grandmother signed her up for an NAACP membership as a child, she worked tirelessly to further the cause of justice and equality. In 1940, she became the first African American performer to tour with an all white band. And while entertaining soldiers during World War II, she refused to perform for segregated audiences – a principled struggle she continued well after the troops returned home.

From sultry Selina Rogers in “Stormy Weather” …

… to sweet Georgia Brown in “Cabin in the Sky” …

… and Glinda, the Good Witch in “The Wiz,” the legendary performer entertained millions.

Horne’s activism and willingness to speak truth to power inspired millions, including the writer.

The trailblazer and civil rights activist will be in the public’s memory forever.

The First Day of Issue Stamp Dedication Ceremony will be was held at Symphony Space in New York City. The Lena Horne Forever stamp is on sale nationwide at post offices and online at The Postal Store.

Happy Birthday, Dr. King

It’s your birthday. It’s your birthday, Dr. Martin Luther King Jr. As a lifelong activist, I celebrate you every day.

Still, I look forward to the annual smorgasbord of events. This year, I got the party started at the Riverside Church New York City where on April 4, 1967, Dr. King delivered his anti-war speech “Beyond Vietnam: A Time to Break Silence.”

The tribute honoring Dr. King featured songs and readings from his writings and speeches.

One of the most moving moments was listening to an excerpt from Dr. King’s last speech, “I’ve Been to the Mountaintop.” While I’ve heard the speech numerous times, the sound system gave the words an immediacy and newness. Indeed, at times I was nodding my head and saying “Amen” as if I were in Mason Temple with Dr. King. An archived webcast of the program is available here.

I later checked out the Arthur Mitchell exhibition at Columbia University’s Miriam and Ira D. Wallach Art Gallery.

The assassination of Dr. King inspired the legendary ballet dancer to co-found the Dance Theater of Harlem. In a recent interview with the New York Times, Mitchell shared his greatest accomplishment:

That I actually bucked society, and an art form that was three, four hundred years old and brought black people into it.

Harlem’s ballet trailblazer was a great dancer who also served the community. The free exhibit runs through March 11. For more information, visit the Wallach Art Gallery.

Jazz Congress 2018

The inaugural Jazz Congress will be in session January 11-12 in New York City. Co-produced by Jazz at Lincoln Center and Jazz Times, the conference will “bring together artists, media and industry leaders in the global jazz community to exchange ideas in order to nurture and grow the jazz community and the underlying business and organizations that promote, produce, present, market and support the music.”

Trumpeter Wynton Marsalis, Managing and Artistic Director at JALC, said:

Jazz at Lincoln Center is excited to host this much needed community initiative. We will stimulate an inclusive environment, explore new ways to expand audiences for our music, and learn from one another. With so much discordant non-communication around the world and in our country, now is the perfect time for us to come together for serious discourse around and about our cultural, business and aesthetic objectives.

Marsalis added:

Jazz has what our modern world needs. Let us all take pride in our collective advocacy of this great music by identifying, declaring and demonstrating our common ground.

The program includes panels focusing on race and gender, and audience development. Hall of Fame basketball legend Kareem Abdul-Jabber, a jazz enthusiast whose father was a trombonist, will deliver the keynote address. Abdul-Jabbar will talk about the role jazz can play in today's society.

I am particularly interested in the panel discussion on jazz, politics and activism. One of my objectives with All That Philly Jazz is to contextualize jazz within the framework of movements for social change. Indeed, the jazz culture was about intersectionality before the term was coined.

Some of the sessions will be livestreamed. You can join the conversation on Twitter using the hashtag #JazzCongress. For more information, visit JazzCongress.org.