Anderson@Large

Happy Birthday, Dr. King

Martin Luther King Jr. was born in Atlanta, Georgia on January 15, 1929. This year marks the 39th anniversary of the first observation of Martin Luther King Jr. Day as a federal holiday.

In 1986, an all-star collective of artists, including El DeBarge, Grandmaster Melle Mel, Kurtis Blow, Run–DMC, Whitney Houston, Teena Marie, Stephanie Mills, James “JT” Taylor and Whodini, released a tribute song, “King Holiday,” celebrating Dr. King and the new holiday.

We’re still celebrating the “drum major for justice.” Happy heavenly birthday, Dr. King.

Soundtrack to a Coup d’Etat

During the Cold War, racial segregation was the law and practice in much of the country. With the backdrop of the Montgomery Bus Boycott, the U.S. Department of State launched the Jazz Ambassadors program, a cultural diplomacy initiative to promote American values abroad through music.

The program began in 1956 and was part of a broader effort by the U.S. government to counter Soviet propaganda. Jazz diplomacy was intended to win hearts and minds and promote a positive view of America as the land of freedom. Jazz Ambassadors included Louis Armstrong, Art Blakey, Dave Brubeck, Duke Ellington, Dizzy Gillespie, Lee Morgan and Nina Simone. Quincy Jones was the music director for the first tour.

A new documentary, “Soundtrack to a Coup d’Etat,” shows how unwitting jazz musicians were used by the CIA to cover their geopolitical machinations in the 1950s and ‘60s. Jazz musicians were unknowing decoys in the CIA’s plot to assassinate Patrice Lumumba, the first democratically-elected leader of the newly independent Republic of the Congo.

From the New York Times review of “Soundtrack to a Coup d’Etat”:

This film, though, treads less optimistic territory. One of its major threads is the C.I.A.’s use of unwitting Black musicians to not just spread soft power abroad during the Cold War but also, potentially, provide a smoke screen for the agency’s more covert dealings. Archival footage and audio of interviews with agents, in some cases many years later, underline the point: Art was art, but it was also a useful tool for machinations the artists quite publicly opposed.

[…]

That’s why “Soundtrack” lands on a coda. Each of these historical threads, in some way, led to the Feb. 15, 1961 demonstration at the United Nations protesting Lumumba’s assassination, organized by a group called the Cultural Association of Women of African Heritage and led by Lincoln, Rosa Guy and Maya Angelou. But the story didn’t end there. “Soundtrack” makes an explicit connection between what happened in Congo in 1960 and ongoing conflict today. These events occurred a while ago, but they’re not really history, “Soundtrack” argues. The past, one might say, is never dead. It’s not even past.

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Election 2024: Make the Best of a Bad Situation

With Donald Trump’s reelection, we must use our imagination and keep on keeping on. Let’s make the best of a bad situation.

To rub salt into wounds, Dr. Martin Luther King Jr. Holiday falls on the same day as Trump’s inauguration.

The struggle continues.

 

National Voter Registration Day 2024

In the sprint to Election Day, you will be told the 2024 Election is the most consequential election since, well, the last presidential election. This election lives up to the hype. The choice is between going back or embracing hope and opportunity.

National Voter Registration Day, the country’s largest single-day voter registration drive, is September 17, 2024. Since 2012, more than five million Americans have been registered to vote on this civic holiday.

Your vote matters. If it didn’t, conservatives would not be trying every trick in the book to block access to the ballot box. You can register to vote here.

If you are already registered, confirm your status to make sure you are #VoteReady. On Election Day, be careful how you vote.

March on Washington for Jobs and Freedom

Sixty-one years ago on August 28, 1963, more than 250,000 people gathered for the March on Washington for Jobs and Freedom. Jazz musicians were the vanguard of the movement for freedom and civil rights, a fact acknowledged by Dr. Martin Luther King Jr. at the 1964 Berlin Jazz Festival.

Long before Beyoncé was born, tenor saxophonist Sonny Rollins recorded “The Freedom Suite” which featured Oscar Pettiford on bass and Max Roach on drums.

Thousands of people from across the country arrived in Washington, DC on the “Freedom Train,” a special fleet of trains chartered by A. Philip Randolph, organizer of the Brotherhood of Sleeping Car Porters.

From Louis Armstrong’s “Black and Blue” to Charles Mingus’ “Fables of Faubus,” jazz musicians talked the talk and walked the walk. Trumpeter Lee Morgan and Max Roach were among the musicians on board the Freedom Train from New York City to the March on Washington for Jobs and Freedom.

Black Music Month: Message in Our Music

As Black Music Month comes to a close, I want to focus on the message in our music. I believe to my soul that music can transform lives and inspire ordinary citizens to get involved in the fight for justice.

From the sorrow songs of the enslaved to right now, Black music has been the soundtrack of movements for social change.

 

Black Music Month: Max Roach

This year marks the centennial of the birth of drummer, composer, bandleader and activist Max Roach. His groundbreaking album, “We Insist! Max Roach’s Freedom Now Suite,” was influenced by the Emancipation Proclamation and the emerging Civil Rights Movement.

Born in North Carolina, Roach’s family moved to Bedford-Stuyvesant, a neighborhood in Brooklyn, when he was four. He grew up near the corner of Greene and Marcy avenues where the City of New York has co-named a street for the iconic drummer. Fittingly, the “Max Roach Way” co-naming ceremony was held on Juneteenth, Freedom Day.

The Library of Congress recently opened the David M. Rubenstein Treasures Gallery.

The permanent gallery, “Collecting Memories: Treasures from the Library of Congress,” features more than 120 items from across the Library’s holdings. The depository for the Max Roach Papers, the manuscript page for “We Insist!” is on display in the new gallery.