Anderson@Large

African-American Music Appreciation Month

In 1979, President Jimmy Carter decreed that June would be Black Music Month. Each president since then has signed a proclamation recognizing the contributions of African American musicians and music. In 2009, President Barack Obama rebranded the annual celebration as “African-American Music Appreciation Month”

The legacy of African-American composers, singers, songwriters, and musicians is an indelible piece of our Nation's culture. Generations of African Americans have carried forward the musical traditions of their forebears, blending old styles with innovative rhythms and sounds. They have enriched American music and captured the diversity of our Nation. During African-American Music Appreciation Month, we honor this rich heritage.

There’s no better place to get the celebration started than at the mecca of African American culture, the world famous Apollo Theater.

(Fill in the Blank) While Black

There has been a rash of incidents in which a white person called police on African Americans for, among other things, barbecuing, napping, waiting, shopping, and failing to wave at an Airbnb neighbor. Michael Harriot of The Root wrote:

Think about how many tax dollars you could save if police didn’t have to drive to the scene every time Amber thought something was suspicious about the Negro walking through her neighborhood. Imagine how much your city could save on overtime if officers didn’t have to spend hours writing up reports because Connor thought a crafty Negro had bought a uniform, stolen a mail truck and was cruising through your neighborhood, casing your subdivision, planning a series of home invasions by putting mail in people’s mailboxes.

Harriot outlined a five-step plan to help white people step back from calling the police. Step 3 requires creative thinking:

I know it’s scary to see an actual black person in living color, but you should overcome your fear and replace it with logic. One way to do this is by imagining that the person is an actual human being and not a caricature or a stereotype. I know this might sound impossible, but imagine if the person on whom you called the police was behaving in the exact same way, but they were white.

Would they seem so nefarious then?

So wypipo, unless you want to become the next #BBQBecky meme, do not call police on African Americans who are just #LivingWhileBlack.

Harlem on My Mind

Gentrification is displacing longtime residents in historically African American neighborhoods from Bedford-Stuyvesant in Brooklyn to Baldwin Hills in Los Angeles.

I grew up in Bed-Stuy and went to college in Harlem where an iconic mural, the “Spirit of Harlem,” was covered up by Footaction, a sneaker and apparel company.

Langston Hughes famously asked, “What happens to a dream deferred?”

We know what happens if we don’t fight the collateral damage of gentrification. African American cultural heritage and presence will be erased from public memory. So Harlem activists are organizing to give the boot to Footaction.

For me, it’s déjà vu all over again. In 2015, Pennrose Properties demolished the “Tribute to John Coltrane” mural in the Strawberry Mansion neighborhood in North Philadelphia.

But rather than simply lament its destruction, I made some noise in my capacity as director of All That Philly Jazz. Fast forward two years, Pennrose Chairman and CEO Richard K. Barnhart thanked me for my activism. Barnhart told me that in raising awareness of the importance of cultural heritage preservation I “made him a better person.”

On September 24, 2017, the “Why We Love Coltrane” mural was dedicated.

The mural was funded by Pennrose Properties and the City of Philadelphia, in partnership with All That Philly Jazz, Strawberry Mansion Neighborhood Action Committee and Fairmount Park Conservancy.

Footaction is owned by retail giant Foot Locker. Together, we can make Footaction a better corporate citizen. Let’s make some noise.

UPDATE: After making some noise on Twitter, I received a DM from Footaction.

True to its word, restoration of the “Spirit of Harlem” mural is in progress.

Advocacy works!

National Museum of African American History and Culture Turns One

September 24 marked the first anniversary of the National Museum of African American History and Culture, more affectionately known as my home away from home.

From Day One, NMAAHC has had the people’s stamp of approval. In its first year, the museum has welcomed nearly three million visitors. Lonnie G. Bunch III, founding director of the museum, said:

We are so grateful to America for making this first year unprecedentedly successful. This first anniversary gives us at the Smithsonian the opportunity to thank everyone for this incredible gift and for making it possible to continue our mission to help America grapple with history by seeing their past through an African American lens – and ultimately help Americans find healing and reconciliation.

NMAAHC has received the stamp of approval of the U.S. Postal Service which issued the “Celebrating African American History and Culture” Forever stamp.

The numbers show that the National Museum of African American History and Culture is a gift to the American people:

• Almost 2.5 million visitors walked through the 400,000-square-foot building.
• Of those visitors, 922 were ambassadors.
• About 10,000 of all 2.5 million people who passed through were between the ages of 4 and 7 years old.
• About 3,000 objects were on display while NMAAHC’s permanent collection is more than 13 times that size, at almost 40,000 objects.

For more info, check out “NMAAHC’s First Year by the Numbers.”

A Room with a View of the Blues

Earlier this month, I attended a panel discussion on “Art in Public Space” held in the Hamilton Garden of the Kimmel Center. As I waited for the program to start, I checked out the view from the top floor. What I saw left a hole in my heart.

The hole is where Philadelphia International Records once stood.

Kenny Gamble and Leon Huff have earned their place in history.

Sadly, the building that held the stories of the songwriters, musicians, producers and arrangers is now lost to history. For the love of money, African Americans’ cultural heritage was erased from public memory.

Gamble and Huff sold the historic building to Dranoff Properties which plans to build a luxury hotel and condos for the one percent. Three years after the demolition of “309,” there’s just a hole in the ground. The reason: Dranoff Properties is waiting for a corporate welfare check to the tune of $19 million before breaking ground on the “biggest, tallest and most expensive” project the company has ever done.

In the poorest big city in the country, spending taxpayers’ money to further enrich the rich is the sound of Philadelphia.

Preservation Month 2017

May is Preservation Month, a time to celebrate places that matter to you.

On May 6, I led a Jane’s Walk, “Ridge Avenue Stroll through Philly’s Jazz History.” The first stop was the legendary Blue Note.

The Ray Bryant Trio was the Blue Note’s house band. It is interesting to note that Bryant co-wrote the smash hit, “The Madison Time,” which was released in 1959.

The highlight of the stroll was 2125 Ridge Avenue, the former location of the Checker Café, a “black and tan” (read: racially integrated) jazz club. The nightclub’s motto was “Good Food. Good Cooks. Good Service.” One of the servers was a teenage singing waitress named Pearl Bailey.

Since October 2016, I’ve been locked in battle with the Philadelphia Housing Authority which wants to demolish the building that has been a visual anchor for more than 100 years. The Pennsylvania Historical and Museum Commission agreed with me the building is of historical significance. Last week, PHA signed a programmatic agreement that saves the building for now. Under the agreement, PHA must stabilize the building.

I say for now because PHA has made it clear it wants to demolish the building. I guess it doesn’t fit their “vision” for a revitalized Ridge Avenue. In an area full of vacant lots, PHA wants to replace a building that is eligible for listing in the National Register of Historic Places with yet another vacant lot.

I encouraged the 40+ people who participated in my Jane’s Walk to make some noise and tell decision-makers that this place matters. If you care about preserving Philadelphia’s cultural heritage, DM me on Twitter or send message to phillyjazzapp[@]gmail.com.

Jazz Appreciation Month 2017

Founded by the National Museum of American History in 2002, April is Jazz Appreciation Month.

On Monday, April 3, the John F. Kennedy Center for the Performing Arts and the National Endowment for the Arts will celebrate the 2017 NEA Jazz Masters at an all-star concert featuring music from their careers to tell the story of their lives.

The event will be moderated by Kennedy Center Artistic Director for Jazz Jason Moran, who said in a statement:

This will be another special celebration for people who have been integral to the ever evolving stage of jazz. From the journalist, to the innovator, each of the honorees has demonstrated a timeless devotion to jazz ethics. Each honoree arrives at the music from a different avenue and helps focus the audience’s vision of as the music continues to evolve. Kudos to the NEA for continuing to honor artists who have devoted their livelihoods to contributing to the cultural fabric of America.

The tribute concert will feature conversations with the 2017 NEA Jazz Masters alongside musicians whose lives they have influenced. The performers will include NEA Jazz Masters Paquito D’Rivera and Lee Konitz; National Medal of Arts recipient and Kennedy Center Honoree Jessye Norman; vocalist Dianne Reeves; multi-instrumentalist Booker T. Jones; Sherrie Maricle and the Diva Jazz Orchestra; and Hammond B-3 artist Matthew Whitaker, a 15-year-old protégé of Dr. Lonnie Smith.

The free concert is “sold out.” You can view a live-stream of the event beginning at 7:30 p.m. ET at arts.gov, Kennedy-Center.org and NPR.org/Music. The concert will be broadcast live on SiriusXM Channel 67, Real Jazz.