I am an advocate for the arts. I believe in the power of art to transform lives and ignite social change. Last summer, the Arthur Ross Gallery invited citizens to select an artwork from the University of Pennsylvania Art Collection to be included in a crowdsourced installation, Citizen Salon.
I was among 600+ people who responded. The citizen curators included art historians, Penn faculty, artists, scientists and ordinary citizens.I selected a portrait of Marian Anderson, the first African American soloist to perform with the New York Metropolitan Opera. The top 50 picks are now on view, including Robert Savon Pious’ portrait of the world-renowned contralto.
I was asked to provide commentary for the label and audio tour which you can listen to here.
Citizen Salon will be on view at the Arthur Ross Gallery through March 24, 2019.
December 2 marks 159 years since freedom fighter John Brown’s last moments on Earth.
The fiery abolitionist is near and dear to my heart. Many years ago I visited John Brown’s Fort in Harpers Ferry, West Virginia.
I’ve lost count of the number of times I touched base with my hero at the National Portrait Gallery.
I also regularly visit John Brown at the Metropolitan Museum and share with him what’s going on.
So you can imagine my reaction when I learned a development project, the Villages at Whitemarsh, would encroach on the studio where Thomas Hovenden painted “The Last Moments of John Brown.”
Abolition Hall, an Underground Railroad station where runaway slaves found shelter in the purpose-built structure and surrounding fields, was converted into a studio after the Civil War. The developer, K. Hovnanian Homes, wants to build some generic townhouses a stone’s throw from the historic landmark.