Still, the vultures are circling. There’s money to be made by siphoning taxpayers’ dollars to unaccountable charter and Catholic schools.
So today, wealthy donors gathered for a two-day conference ostensibly to “examine the most promising strategies to grow what works in all of a city’s schools—charter, district, and Catholic/private—and explore the challenges and benefits of a city-based, multischool sector strategy.”
My routine request to cover the conference was turned down by Cassandra McClellan, Meetings Coordinator for the Philanthropy Roundtable. McClellan wrote:
Thank you for your interest but our events are private and are not open to the media.
Isn’t that rich. A meeting to “increase the number of great K-12 options” is being held behind closed doors at the Union League. What are they hiding?
If they had any shame, they would want to hide the fact the co-founder of the Philadelphia School Partnership, which “will lead donors through a special discussion of investment strategies targeted at expanding great schools,” is looking for an investment strategy to escape bankruptcy.
PSP’s co-founder Michael O’Neill is Founder & CEO of Preferred Sands. The Wall Street Journal reported:
Preferred Sands Holding Co., a closely held supplier to oil-and-gas drillers, has hired restructuring advisers as it battles a high debt load and weak operating results, people familiar with the matter said.
The company may file for bankruptcy protection though it is still examining opportunities for an out-of-court restructuring, these people said. Barclays PLC—the company’s lender along with KeyBanc Capital Markets Inc.—could provide a debtor-in-possession loan in the event of a Chapter 11 filing, they added.
Now get this: In addition to leading his company to the brink of bankruptcy, O’Neill is a staunch supporter of Catholic schools. He is the Chairman of Business Leadership Organized for Catholic Schools. It strains one’s faith to suggest O’Neill has any interest in strengthening traditional public schools.
By the way, Chris Bravacos, President and CEO of the Bravo Group, is also on PSP’s board of directors. Last year, I sounded the alarm about his role in promoting Pennsylvania’s voter ID scheme.
Public schools and voting are at the heart of our democracy. In the birthplace of our democracy, both institutions are under attack. In 2012, it was the assault on voting rights. Today, the same forces behind the push for restrictive photo ID laws are spearheading the assault on traditional public schools.
The celebration of the 50th anniversary of the 1963 March on Washington for Jobs and Freedom is in the history books. Sadly, the impact of role of jazz musicians and the jazz culture in breaking down barriers to racial integration has largely been lost to history.
In 1939, Billie Holiday told the nation that “Southern trees bear a strange fruit.”
In 1955, Louis Armstrong transformed Fats Waller’s song of unrequited love, “(What Did I Do To Be So) Black and Blue,” into an anthem of protest against racial discrimination.
Holiday, Armstrong and Waller were members of the Harlem Renaissance. In his invocation at the “Let Freedom Ring” commemoration, Pastor A.R. Bernard Sr. noted how artists helped ignite the civil rights movement:
They called themselves the New Negro Movement, better known as the Harlem Renaissance, creating their own literature, art, music, theater. They artistically and intellectually challenged the pervading black stereotypes. From this generation emerged names like W.E.B. DuBois, Alain LeRoy Locke, Zora Neale Hurston, Claude McKay, Langston Hughes, Fats Waller and Duke Ellington.
White America experienced it and said, “Ooh, we like the style of these people.” So they enjoyed it, adopted it, integrated it and exploited it. And the popularity of black style and culture soon spread throughout the country. But it was not enough for black folks to be artistically admired. Blacks wanted and demanded full participation in the social, political and economic life of American society. And that attitude set the stage for the civil rights movement of the 1950s and the 1960s.
The legacy of the March on Washington include the Civil Rights Act of 1964. In February 2014, we will commemorate the signing of that seminal legislation, as well as Dr. Martin Luther King Jr.’s remarks at the 1964 Berlin Jazz Festival. For more information, send us an email.
One of the highlights will be the unveiling of a limited-edition 1963 March on Washington stamp. The Forever stamp will be the third in a trilogy of civil rights stamps.
For the first time, the U.S. Postal Service will unveil a stamp simultaneously online via Facebook and onsite at the Newseum. You can help digitally unveil the stamp artwork by adding your Facebook or Twitter profile to the March on Washington Stamp Mosaic. Each individual photo will unveil a small piece of the artwork, becoming a pixel in the virtual stamp mosaic. As more people contribute to the mosaic, more pieces of the stamp will be revealed. At the same time you will be taking a stand for equality.
At the first-day-of-issue ceremony, actress Gabrielle Union will submit her Facebook profile which will trigger the unveiling of the full stamp artwork.
The new Forever stamps are part of the Postal Service’s celebration of the civil rights movement:
The U.S. Postal Service is celebrating the best of
America with several limited-edition stamps in 2013. This includes the Civil Rights set, which praises the honorable qualities of those involved in the Civil Rights Movement.
This set recognizes the courage of Rosa Parks; freedom embodied in the Emancipation Proclamation; and equality marked by the March on Washington.