Back in the day, entertainers used to “walk the bar.” Philly native Lee Morgan was “honking and stepping.”
In a Smithsonian jazz oral history interview, National Endowment for the Arts (NEA) Jazz Master and Philly native Benny Golson said: “I caught my boy John Coltrane on the bar.” In a 2009 piece, jazz critic Marc Myers also shared the story:
In 1954, Coltrane's expanding heroin and alcohol addiction cost him playing jobs, most notably a significant one with alto saxophonist Johnny Hodges. After moving back to Philadelphia, Coltrane was forced to play with local R&B bands to make ends meet. In some of these bands, he had to honk away on the tenor while walking along the bar. One night, he saw childhood friend and tenor saxophonist Benny Golson enter the club. Mortified, Coltrane climbed off the bar and walked out for good.
The Smithsonian interviewer asked Golson where that tradition was started:
I don’t know where it started. It didn’t start with the jazz artists, per se. It started with one of the entertainers. An entertainer’s plot is to do or to second-guess what the audience wants to hear. Yeah, I got involved in that. I did some crazy stuff when I was doing all that stuff. You do what you think is going to entertain them. It’s going to bring acclaim to what you’re doing. Yeah, what’s more ridiculous than getting up on the bar where the drinks are and start playing your low B-flats no matter what key you’re in, just honking. We call that honking and stepping. They’re applauding. Ain’t nothing happening. Stepping over those drinks.